Tony: Oh geez, lets see, I have not spent a lot of time to be honest in Vancouver, no more then 2-3 days at a time. because when we come here its usually to play a show and theres never really enough time to really get to know a place. I haven’t spent an extensive amount of time here, but im trying to remember the name, theres a really great vegen restaurant we went to?
me: The Foundation?
Tony: ya its probably my favorite place to eat in town.
me: If you weren’t a musician and recording/touring artist what would you be doing? Have ya thought about that?
Tony: Ya I dont know, thats a good questions actually. I think I’m to far gone to do anything else at this point. I dont know, before I got into music I worked for a film company briefly, maybe I could go down that route. I grew up on a farm so that could maybe be something.
me: Is film something that interest you?
Tony: not really, I think if i had to choose though I would maybe go into the world of visual arts, I had an Art’s minor in university.
me: Ya its rad, good sound, im sure it will get some great review. I was listening to the song Singer Castle Bells, what is the story behind that? Where did you get that chime from?
Tony: Its basically a West Minister chime, but it was recorded in a castle we recorded in on a Thousand Islands. We sort of had to make a big effort to get there with all of our instruments and all of our gear and i figured we had a unique opportunity to really document the sound of these bells, cause you could go up in the bell tower and be around all these crazy gears, pulleys and levers. I wanted to capture it. I thought wow that would be cool to go in and capture, cause you dont really have a chance, and I dont know of anyone who would ever bring in that extent of recording equipment. The bells were going off on the hour as we were recording there. To me I wanted to put it on the record to document and a remnant of the documentation of the place. Also to spilt up side A and side B, its the signal, the chime to turn the record.
me: What do you like about the new album, what did you take aware after it was all cut and mastered?
Tony: thats a good questions, um I was really happy to be able to play with Bob Egan a little bit more, he does pedal steel and some mandolin on the album and I really enjoy working with him and he contributed some really great peddle steel track. When I listening the album I was constantly blown away that we were able to have those sounds on the record. The combination of musicians was really good too.
me: After a long N.American Tour you looking forward to the European leg?
Tony: Ya its a bit of a different world, we have built up a really great audience over there so it makes a lot of sense for us to go back.
me: After the tour what does the summer hold for you?
Tony: I dont know, sleep for a month. Im going to take it easy and enjoy the summertime, get into some more writing. Get into that kind of routine, get into a creative routine, cause I find that its hard to maintain on the road. Were playing a few festivals in the summer though. Nothing confirmed yet, but possibly in July.
me: there’s a lot of good festivals in canada, Winnipeg folk fest, Edmonton folk fest which I volunteered at for around 6 years growing up, being as I did grow up in edmonton.
Tony: I like Edmonton a lot actually, like Whyte Avenue, such a great street with interesting places.
me: Given the tepid review for Ongiara from Pitchfork do you think it kind of put you behind the curve a little bit in terms of fans?
Tony: I dont know, I think one review on Pitchfork doesn’t mean a hell of a lot. I mean its means a lot obviously because there a very powerful website and I think that particular review was done by a really lazy journalist though and a lot of the songs were really miss quoted, the lyrics were kind of miss quoted and they didnt really do any research or anything.
me: I think there review was way shit.(as in Ongiara was a great piece of work)
Tony: I think it was just lazy, because its so big and so powerful (Pitchfork) they dont have time dedicate to actually getting the lyrics to song right.
me: It sounds like he didn’t listen to the whole album
Tony: ya exactly, and I don’t really pay attention to stuff like that anyways. Good reviews or bad reviews that doesn’t mean that much to me. Im not doing it for that reason.
me: what Book you reading right now?
Tony: Reading a book called The Book Of Flying by Keith Miller
me: If you could have your music in any film directors movie who would it be?
Tony: Wes Anderson ya I love his movies.
me: Ever though about moving to Vancouver and getting out of that Toronto scene?
Tony: Its a pretty long haul, I feel like I’m a north east dude, I need to be close to the lakes and thats where I grew up.